A week or so ago, before our balmy fall weather morphed into an early blast of winter, I took a drive through a couple of our city’s more ‘distinguished’ neighbourhoods looking for photo-ops. As I scanned the tastefully landscaped homes, which were all the more attractive with the accompanying hues of autumn, I found myself stopping and starting, braking and rubbernecking to get a better look. Yes I was that nuisance driver you wanted to bellow at: “Get moving lady!” “Move over lady!” “Move lady!”
My car may not have been moving but my eye certainly was – well designed landscapes invite that. In fact Movement is one of the Design Principles and just happens to be the subject of this post (shameless segue I know). The definition is of course self-explanatory: Movement refers to what keeps the eye in motion throughout a landscape. Of course this visual movement will occur with or without our intervention, but design choices can definitely affect how our eye will move through a garden.
One of the ways we can generate movement is with rhythmic repetition. You’ll recall that I discussed repetition several months ago in reference to Unity. However, repetition as it relates to Movement refers to a design element that is repeated at regular intervals or in an obvious pattern. It can be a single element recurring regularly or a more complex pattern of alternating elements.
We can also affect movement with the design lines we choose. Straight lines, since they’re very direct, generate very fast, forceful movement. Angled lines, though still quite dynamic, are a little slower because they’re less direct – they move across our field of vision at the same time they’re moving with it. Curving lines create the slowest movement. Perhaps this gentle movement explains why curves are favoured by gardeners – a reprieve from our fast paced lives? Remember though that curves need to be big and bold if they’re to have this calming effect – too many small curves just feels busy.
Movement can be affected by plant form as well. Rounded or mounding forms encourage movement – the eye just glides over them and moves on. Upright forms on the other hand, arrest the flow of movement – they literally interrupt our line of vision. For this reason they are useful in a long straight planting – the upright form acts as a visual stop to prevent the eye from reading the entire length at once. However, for this same reason, upright forms (especially very narrow ones) should be used sparingly or a ‘stop and start’ kind of movement results (a bit like my abovementioned driving).
So there you have it fellow gardeners – we’ve waded through yet another Design Principle. Moving on then….Drive safe, Sue © Sue Gaviller and Not Another Gardening Blog 2012. Unauthorized use and/or duplication of this material without express and written permission from this blog’s author and/or owner is strictly prohibited. Excerpts and links may be used, provided that full and clear credit is given to Sue Gaviller and Not Another Gardening Blog with appropriate and specific direction to the original content.
- A Question of Balance – The Principled Gardener Part 5 (notanothergardeningblog.com)
Sue you have a great way with words. I enjoy your blogs.
Great to hear from you – glad you’re enjoying the blog.
Thanks for commenting and being a faithful reader!
Hello Sue, I stumbled across your blog as I’m studying these principals right now and the principal of Movement is not at all well covered in the syllabus. Thank you for making sense of it by providing a straight forward description and some great visual examples! I’m now going to compare notes on the other principals to make sure I haven’t missed anything 🙂
Thanks for taking the time to write this stuff.
The principal of movement is oft overlooked in design – one isn’t always aware when the eye is moving comfortably around a space, hence it can be taken for granted. Glad the blog has helped you understand it better.
Thanks for reading,